Service

Commercial Architecture & Interiors

Spaces photographed with a trained eye for how light actually behaves in them.

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Interior photography of a contemporary commercial space

Spaces photographed with a trained eye for how light actually behaves in them — not just how they look on a floor plan. Years spent shooting film taught me to read light before doing anything with it, since film doesn't forgive mistakes the way digital does.

That discipline is still the foundation of how I shoot interiors and architecture today: understanding a space at different times of day, and choosing the moment that shows it at its best.

This remains the strongest and most requested part of the portfolio — work that grew directly out of an architect trusting the studio with his own projects after seeing the interior photography from his wedding.

Film doesn't forgive mistakes. That discipline is still how I read a room.

What you get

01

Site visit or pre-shoot call

Planning around light and weather before the shoot day.

02

Interior and exterior coverage

Styled or as-built, depending on the brief.

03

Natural retouching

A consistent standard — corrected, never over-processed.

04

Formats for every use

Brochures, press, websites and planning submissions.

Canal-side communal interior with contemporary furniture and a graphic mural, Boulevard Wharf, Nottingham
Abstract detail of the pleated green and gold facade of Nottingham Contemporary art gallery
Curved balconies and stone facades of contemporary apartment buildings in Spitalfields, London

How it works

Recce & schedule

Plans, orientation and a light study decide the running order — which rooms get morning, which get late sun.

Shoot day

Methodical coverage with light styling as we go: a tidy, a straightened cushion, a chair moved out of the sightline.

Post & delivery

Perspective correction and careful blending, delivered within seven to ten working days.

Common questions

Do you style the space?
Light styling is included — tidying, straightening, removing clutter. Full set styling can be arranged with a stylist.
Can images be used for awards entries?
Yes. Files are delivered at full resolution and I can supply the technical detail submissions ask for.
How many images come from a day?
Typically 15–25 finished frames from a full day, depending on the size of the building and the light.
Can the practice and the client share the images?
Yes — shared licences between architect, developer and contractor are common and quoted up front.

Rates

Day and half-day rates based on the number of finished frames required. Twilight passes, drone coverage and shared licences between project stakeholders are quoted as add-ons.

Pricing & process →

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Tell me what you need to show, and I'll tell you what it takes.